In the winter of 1940, Nazi soldiers began rounding up
Jewish villagers in Belgium, Holland. They shoved men, women and children into covered military trucks, the
yellow stars on their chests picking up the last rays of sun from a cloudless
sky. Beside the truck, a young German soldier shifted back and forth on his
feet, his shaking hands trying to keep a cigarette in his mouth. He was far too young to have death on his soft hands.
A young girl felt
the butt of a pistol against her back as she was thrown onto the truck’s cold
hard floor. Over and over again, she whispered to herself, 'Our Father Who art in heaven....Our Father Who art in heaven. ' This young girl was just another prisoner to be taken to a nearby
concentration camp and disposed of without witness. Her name was Audrey
Hepburn.
Audrey
was not Jewish, but her family was believed to be sympathizers and that was bad
enough. She knew she was headed toward her death. Several friends had already been taken away. Most painful of all, she had watched Nazi soldiers line up her uncle and cousins against a wall and then shoot them in the head.
Suddenly,
a soldier on the other side of the truck began beating one of the prisoners
with the end of his rifle. This was her chance. Live or die. Fear. Fear would
not win. She slipped underneath the truck, her lithe figure going unnoticed in
the shadows. And then she ran. She ran until her heart beat like a trapped bird
inside her chest.
Less than 150 miles away from Audrey’s escape, a young girl
looked out her narrow window from an abandoned building in Amsterdam. Her hands
were wrapped around the checkered red, cover of a simple diary – the diary that
became her last connection with the world of hope, love and kindness. Her name was Anne Frank.
Anne’s story so moved Audrey that when later asked to play the role of Anne Frank, Audrey refused. She had once escaped that pain. She
would not revisit it.
Audrey and Anne. Anne and Audrey. Two famous people with
similar dreams. Two famous people with similar suffering. One awoke from the nightmare. The other
did not. I often think children understand biographies far better when
connections between famous people are made. Without these connections,
historical figures seem to exist on their own plane, never bridging the gap
between time and emotion.
Hoping to find many more of these connections.
2 comments:
Wow, great find. I never knew Audrey was in Europe in the 30s and 40s. And a very moving re-telling.
Goodness, extraordinary find. I never knew Audrey was in Europe in the 30s and 40s. What's more, an exceptionally moving re-telling.
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